Anstiss krueck biography of williams
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Henry V
“Elijah Jones&#;s power & charisma [gives] a wholly original, engrossing take on a well-known figure.”
–Talkin’ Broadway
“Explosive, contemporary staging of a riveting soldier’s war story&#; exhilarating moments of brotherhood, humor, song & rörande special effects.”
–PicksInSix
“In the lead, Elijah Jones displays incredible range. He is in command of his troops and the show.”
–The Fourth Walsh
“Elijah Jones fryst vatten a remarkably charismatic actor with a powerful röst, a presence who commands every scen he’s in.”
–Newcity
“In the lead, Elijah Jones displays incredible range. He is in command of his troops and the show.”
–The Fourth Walsh
“Elijah Jones fryst vatten a remarkably charismatic actor with a powerful röst, a presence who commands every scen he’s in.”
–Newcity
Scott Aiello
CHICAGO SHAKESPEARE: Henry V, Richard III, The Merry Wives of Windsor. CHICAGO: A View from the Bridge (Joseph Jefferson Award Nomination &#; Leading
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In Memoriam
Robert R. Barker ’36, a Wall Street executive who served two terms as president of the Board of Overseers and whose name graces the Barker Center for the Humanities, died Nov. 8 at a hospice in Stamford, Conn. He was
Together with his wife Elizabeth, Barker funded more than half of the $25 million Barker Center project.
Barker served as an overseer for six years and was president of the board for two. He was also a director of the Harvard Management Company and a leading member of the Committee on University Resources.
He raised money tirelessly—for the Harvard College Fund, the Faculty of Arts and Sciences, the University Arts Museums and various academic departments.
“He felt that he didn’t just go to Harvard for four years—he went for life,” said Sidney R. Knafel ’52, who served with Barker on a gifts committee in New York.
Barker was born in Brookline and raised in Argentina and Switzerland. He graduated from the College magna cum laude.
Barker was a Wall Str
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H. C. Westermann
February 14 to May 12,
This first posthumous retrospective of American sculptor H. C. Westermann (b. Los Angeles, ) covered his career from the mids onward, encompassing his narrative drawings and his highly personal, often painstakingly crafted constructions and assemblages in an assortment of materials.
On tour from its summer premiere in Chicago, this retrospective included his images of houses, ships, towers, boxes, robots, coffins, surreal landscapes, and toylike figurines that incorporate frequent references to war and death, consumer culture and art, and literature and film. Born and raised in Los Angeles, Westermann saw action during World War II in the South Pacific and then in Korea before becoming an artist in Chicago. After moving to Connecticut, he continued to produce work through the s and s.
Although known as an important inspiration for artists such as Bruce Nauman and William T. Wiley and movements such as the Chicago Imagists and