Thomas florschuetz photographer biography templates

  • Thomas Florschuetz was born in Zwickau, in 1957.
  • Photographer Thomas Florschuetz is best known for his large-scale montages of images of his body, which he called “Early Bodyfigures” (1980-1990).
  • The effect returns the viewer to babyhood, initial recognition of a face thrust forward, vast and smiling.

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    Biography

    Thomas Florschuetz was born in Zwickau, in 1957. In 1987 he was awarded the first prize for new European photography in Frankfurt am Main. In 1988 he moved to Berlin. In 1993 he received a grant enabling him to spend seven months in New York. He lives in Berlin and Paris.

    Thomas Florschuetz photographs the human body without, however, taking it as his real subject. His principal interest lies in the compositional aspects of photography. Alongside portraits of his friends, he has largely produced photographic images that are characterized by the use of radical perspectives. Often these images show details of the body surface, only a few centimeters in diameter, of which it is impossible to say to which part of the body they belong. Such photographs are usually printed on a very large scale and exhibited in series. Florschuetz eschews the use of titles to explain the

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    Thomas Florschuetz

    Thomas Florschuetz, born in Zwickau, Germany in 1957, is considered one of the most important representatives of contemporary photography. He observes his surroundings and their struktur of appearance precisely. Almost as if in a “school of vision”, he encourages the viewers to follow their own gaze, at times obscured bygd a sophisticated network of formal overlays and intersections.

    The complexity of photography lies in the immediate reaction to objects and situations for Florschuetz, whilst simultaneously transcending the mere depiction. He selects sections and cut-outs, views into spaces, reflections, concentrates on overlays and intersections of architectural forms and objects, which result in acclaimed and often large-format series of works. Through this method, he consciously detaches the depiction from its original context and establishes new connections.

    The exhibition focuses on the gods ten years of Thomas Florschuetz’s work. Photographs from his series “El

  • thomas florschuetz photographer biography templates

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    Thomas Florschuetz

    The Palace of the Republic, where the East German parliament held its sessions and which was also used as a center for cultural events, has been torn down piece by piece since early 2006. Once an icon of state power – satirically called “Erich’s Lamp Store” after the leading GDR politician Erich Honecker and the innumerable hanging lamps in the foyer – the building was bereft of all ornament.

    At the time of shooting a bare steel skeleton is all that’s left to remind us of the Palace of the Republic that once stood in the middle of Berlin – a building that was unveiled with great pomp in 1976 as the GDR convention centre only to be closed after the Wall fell due to asbestos contamination and now, after some exciting »interim uses,« to finally succumb to the wrecking ball.
    Thomas Florschuetz photographed the building, already fallen into ruin, in March of this year. The result is a whole series of impressive, large-format works which capture the weight of the