Juan martin flamenco biography examples

  • Juan Martín learned his art in the land of its origin, Andalucia in southern Spain where he spent his early formative years and where he still retains a home.
  • World famous Andalucian flamenco guitarist & composer with support and dancers.
  • Juan Martin has been named as one of the top three flamenco guitarists in the world by America's bestselling guitar magazine.

    • •

    Flamenco a way of life for Juan Martin

    - Juan Martin and a flamenco dance ensemble featuring direkt from Spain dancer Raquel de Luna, Andalucían singer Amparo Heredia 'La Repompilla' and musicians Paul Fawcus and Chris Karan, Kay Meek Centre, Friday, Nov. 4.

    "I started playing at six years old. inom was given a very old gitarr. It had been used so much there were dips in the wood between the frets, like very old steps that had been walked on a lot. It was hard to press on the strings but when I did get a good gitarr it was then for me very easy."

    The six-year-old with the battered gitarr was Juan Martin, who grew up to be one of the foremost flamenco artists in the world and, according to Guitar Player magazine, one of the three best guitarists alive today in any genre.

    Martin and his six-piece ensemble will perform at the Kay ödmjuk Centre Nov. 4.

    Martin grew up listening to records of his idols and figuring out how to reproduce the songs han själv . With the blessing of his parents,

  • juan martin flamenco biography examples

    • •

    Juan Martin’s ‘Essential Flamenco Guitar: Vol. 1’ is an In-Depth Course for Absolute Beginners to Experts


    Steve Marsh reviews “Essential Flamenco Guitar: Volume 1”

    This book follows on in a seemingly ever-increasing line of flamenco-based educational publications and DVDs from Juan Martin, one of the best-known names in the world of flamenco. This first volume asserts that it is an in-depth course for absolute beginners to more advanced players, and a highly detailed, comprehensive analysis of this most exciting musical form.

    The book is divided into three segments, the first of which examines many of the basic technical requirements needed for progression onto the later chapters. Therefore there are many exercises for training in tremolo, rasgueo, thumb technique, arpeggios, ligados, picado, and so on. Most of the musical examples used to practice the various techniques are interesting and entertaining, and within a few pages the student should b

    •

    Juan Martin

    Jen PawseyJune 5, 2007

    One might be forgiven for thinking there's inter-theatre rivallry afoot, in that Juan Martin at the Playhouse this week might easily borrow the description of the line-up at the New Theatre: "sexy, devilish musical". This display of Flamenco was by turns devilish and sublime, most certainly sexy, and utterly transporting. It was no longer a hot sticky night in Oxford, but a hot sticky night in Andalucia.

    We started, in a packed theatre, with a solo piece. It conjured up the hoofbeats, the footsteps, a crowded gathering, in a way that was almost more real than the real thing. The Taranta and Fandango were fast and furious. It was impossible to believe one man coul produce percussion, melody and harmony, with constantly accelerating rhythms. The stage was bathed in red light, and the dark shapes of chairs and instruments could almost have been nomads seated round a campfire. Sadly this was the only solo piece in the show, but it held the audien