Naum gabo biography sample
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Naum Gabo, –
GABO DIED ON AUGUST 23, , at the age of 87, the last survivor of the great form-givers of 20th-century art.
Born Naum Neemia Pevsner in Briansk, Russia, into a large well-to-do family, he was sent to Munich to study medicine. But he turned to engineering and began to be interested in modern art. Gabo’s studies were interrupted by the German declaration of war on August 1, To avoid being interned in Germany as enemy aliens, he and his younger brother Alexei left the next day for Scandinavia. On the instructions of their father, who had sworn that none of his sons should fight for the czar, they settled for the duration of the war in Norway, where their painter brother, Antoine, later to become a sculptor also, was sent to join them in It was there by the fjords that Gabo’s reflections on art deepened and the foundations of his style were laid. He had brought drawings for a new kind of sculpture with him and was looking &#;for a place to lay the egg.&#;
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Four Principles Behind Naum Gabo’s Art
Naum Gabo was one of the pioneering artists of his time. Born in Russia, he became key to developments in international modern art following the First World War. Renowned for his sculpture, Gabo was also known as a designer, painter and printmaker. As a theorist and writer, he taught and lectured consistently throughout his career.
Living and working across Europe, Gabo integrated into the artistic scene of cities like Munich, Moscow, Berlin, Paris and London. He influenced a number of artistic movements of the twentieth century. In Moscow, he was involved in the early development of constructivism. In Berlin, he was central to debates around abstract art and collaborated with the Bauhaus school. In Britain he joined communities of modern artists in London and St Ives where his geometric abstraction found inspiration in natural forms. Finally, he settled in Connecticut in the United States after the Second World War. Gabo gained signif
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Naum Gabo
Born – Died
Naum Gabo was born in Bryansk, Russia. He worked alongside Kandinsky, Tatlin and Malevich until , when he moved to Berlin. There he and his brother, Antoine Pevsner, became leading exponents of Constructivist art, and in their jointly authored manifesto of they asserted the relationship between art to science and every aspect of modern life, writing that art, ‘should attend us everywhere that life flows and acts’. Gabo’s sculpture prioritised light, space and the kinetic, and the artist often made use of new materials, including plastics. In , he and Pevsner designed striking, modernist sets and costumes for Sergei Diaghilev’s Ballet Russes production of La Chatte, which opened in Paris before touring europe. In Paris, Gabo met Ben Nicholson and Barbara Hepworth through the ‘Abstraction-Création’ group, and after visiting England, finally moved to London in Spring , living in Hampstead where neighbours included Leslie Martin, Herbert Read and Margaret Ga